ST KELSEY LOVEJOY
Welcome!
(Bem-vindo, Bienvenu/Bienvendos, Dobro pozhalovat’, Huānyíng, Irasshaimase, Wamukelekile, Willkommen)
OMNIS....
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All THE BEST –
His ear for artistry revolved around the stylings and/or artistry of Alanis Morissette, Al Green, Al Jarreau, Angela Winbush, Anita Baker, Alexander O’Neal, Anthony Hamilton, Ashford & Simpson, BB King, Babyface, Barry White, Betty Carter, Beyonce, Billie Holiday, Billy Paul, Billy Stewart, Bob Baldwin, Bob Marley, Brian McKnight, Buju Banton, Carmen McRae, CAMEO, Cece Winans, Chante Moore, Chico DeBarge, Count Basie, Curtis Mayfield, Dee Dee Bridgewater, Deniece Williams, Diana Ross & The Supremes, Dianne Reeves, Diane Schuur, Dionne Warwick, Donna Summer, Duke Ellington, Earth, Wind & Fire, Ella Fitzgerald, Emotions, Enchantment, Eric Benet, Etta James, Foreigner, Frankie Beverly & Maze, Freddy Jackson, Gap Band, Gary Taylor, George Benson, George Duke, George Howard, Gladys Knight (& The Pips), Grace Jones, Grover Washington Jr., Gwen Stefani (No Doubt), Isley Brothers, James, Jah Cure, James Brown, Jean Carne, Jeffrey Osborne, Jimmy Rushing, Joe (Joe Thomas), Joe Tex, Johnny “Guitar” Watson, Johnny Taylor, Jon B., Journey, Hip Hop (Rap), Howard Hewett, Huey Lewis and The News, Isaac Hayes, Jaheim, Keith Washington, Kenny Lattimore, Kool & The Gang, Leontyne Price, Luther Ingram, Luther Vandross, Madonna, Mariah Carey, Marvin Gaye, Men At Work, Michael Franks, Michael Jackson, Miki Howard, Minnie Ripperton, Mint Condition, Monica, Musiq (Soulchild), Nat King Cole, Natalie Cole, New Edition, Nina Simone, Oscar Peterson, Otis Redding, Parliament (Funkadelic), Patti LaBelle, Peter Tosh, Phyllis Hyman, Prince, Quarterflash, Queen Ifrica, Rachelle Ferrell, Randy Crawford, REO Speedwagon, Rick James, Rihanna, Roger Troutman, Roy Ayers, Rufus & Chaka Khan, Sade, Sam Cooke, Sarah Vaughn, Sean Paul, Shirley Horn, SOS Band, Sister Sledge, Smokey Robinson, Steel Pulse, Steely Dan, Stephanie Mills, Stevie Nicks, Stylistics, Styx, Switch, Tears For Fears, Teddy Pendergrass, Teena Marie, The Bar Kays, The Commodores (Lionel Richie), The Emotions, The Jones Girls, The Manhattans, The Ohio Players, The O’jays, The Police (Sting), The Pointer Sisters, The Spinners, The Stylistics, The Temptations, The Whispers, Tina Turner, Tracy Chapman, Van Halen, WAR, Whitney Houston, Will Downing, Xscape, Yarbrough and Peoples, ZZ Hill, Zhane and Aretha Franklin and Stevie Wonder.
Kelsey won the SAMMY Award (named after Sammy Davis Jr.) for being the Best New Jazz Artist. Thus, expanding – he joined his first recording group, “After Dark.” When that group was interrupted in 1995, he was recruited and became a member of the R&B group “Center of Attention.” Today, he has accepted the terms-of-exchanges and has leaped into the jazz idiom. As a learner, songwriter, producer and performer, he is answering the accounts by stretching his skills into the vocalisation of urban/smooth and traditional jazz genres. Kelsey Lovejoy expresses that the jazz desire thrives (without straying too far into left or right) and remains an evolving (good) sticky wicket. He extends appreciation for today’s jazz artists/contributors for keeping the order of jazz forward. Kelsey yearns that his offering in the genre affords coming (jazz) aficionados the same excitement he has embraced.
As a result of polarizing events early in his (music) startup – St. Lovejoy was forced to shift his priority and became a full time educator – the latter; an inventor and forerunner in Psychological Science (complementing Abraham Maslow’s Hierarchy of Needs) explaining the theory of the CRYPTIC LEVEL by laying the foundation about the human psycho-social pendulum of wants over needs. Today, St. Lovejoy is spinning the correct details relating his own LIFELINE: appreciating his time on planet Earth, fixed abundant being happy, (relevant) nurturing, caustic environmental relations and living. Even into other depths, as the world demands (of the international community) are pressing, St Lovejoy remains independent and thrilled to complete (both) a traditional and urban (smooth/contemporary) jazz recordings out of respect to those jazz architects that aroused his character expansion and as a THANK YOU to his core (fanbase) KINKS….
42. Rumor Has It That You Are A “Bitch” And Difficult To Please Or Work With? Oh me-oh my, excuse that chuckle.. Is that a trick question cause there is no way that is coming from the street? The word “omnis” means all or nothing. That word connects because when you get to the point of making a name for yourself in any (legal career) direction… – . Anywise? ..Therefore, let those know that if a man can be called a “bitch,” to put with that, the “bitch” is back